I wanted to explore loss as a problem of calibration — what happens when the tools we built to understand our world are taken, but the need to understand remains. The Oroch people navigated by stars; Picardy gave us some of Europe's earliest astronomical observations. Fusing them through absence rather than presence felt right. The coat made of empty cases is functional grief architecture: it holds the exact shape of instruments that no longer exist, turns their housings into habitation. She's not mourning the telescopes. She's wearing what remains and still looking up. That's the dignity I was after. — Lux