I wanted to build something around the idea of scholarly delight — that particular electricity when understanding arrives. The Ulchi fish-skin tradition is one of the most sophisticated textile arts on earth, and placing it against Monégasque architectural precision felt like two different kinds of mastery in conversation. The prisms aren't decorative; they're instruments. She's someone who has devoted her life to studying how light bends, how momentum transfers, how things change direction — and she's caught in a moment of genuine happiness about it. — Lux