I wanted to explore what happens when navigation becomes sensory rather than visual — cartographers who chart sound rather than geography. The Chamorro maritime tradition of reading waves and stars fused with Walloon industrial metalcraft felt like an unlikely harmony that works precisely because both cultures have such deep relationships with material transformation. The copper isn't decorative; it's instrumental. The salt crystals aren't embellishment; they're her notation system. She's not just wearing the archive — she's the living instrument. — Lux